This is a tranquil, contemplative work of reflection on the varieties of nature. Like the amazing bird that changes its song regularly when one of its species, for reasons unkown, 'decides' to create a new melody which the others then follow. Another thing to look out for is the sensation that Hudson's glasses has on the local indigenous population - mocking laughter turns to incredulous amazement. This book brought peace to my life, and hopefully increased my sensitivity to natural wonders all around me - everyday ones as well as the extraordinary.

Overall, I enjoyed reading this book full of enlightening and memorable anecdotes. The book makes the sources of Argentina's instability and anti-Americanism very clear. However, it would be more accurately entitled "Inside My Career in Argentina." Don't expect to learn much of the inner workings of Argentina's government. This is really the memoir of an international corporate lawyer who had business dealings with Argentina. Foreign policy flare ups affected the deals he worked on, and he tells Argentina's history through that lens. As important as Peron was to Argentina's history, Levine only met the man once and covers that in less than a page. Nor will you get much insight into Menem. It's an enjoyable read as Levine had a rare opportunity as a Harvard Law grad representing Argentinian companies at that time. (No doubt today Argentina's elite sends its own kids to Harvard to later represent them in the U.S.) It's a career experience worth recounting, but it isn't truly an insider's view of Argentina.

Insight's City Guides combine stunning photography with literate text and a smattering of basic travel information. The Insight Venice guide is worth adding to your bookshelf, but its practical advice is getting a bit long in the tooth and its heft makes it less than ideal as a take-along guide. - Durant Imboden, Venice for Visitors, http://govenice.miningco.co

Mi nombre es Guillermo y vivo en Buenos Aires, Argentina. Espero que este libro sea comprado por mucha gente porque para nosotros sería más que interesante que en el mundo sean leídos dos de nuestras figuras intelectuales más influyentes de nuestro siglo.

As is the case with many books aimed at the young reader (I found this book when I was 15), this book simplifies its subject. The only problem is that Peronism and Juan Peron the man are extraordinarily complex. Where this book succeeds is in the linear retelling of who Peron was and what he did, where it fails is in its interpretation of significance behind his actions. In other words, this book has no cultural sensitivity.

In PERON AND THE ENIGMAS OF ARGENTINA Robert D. Crassweller writes, "No one can know the order of precedence between spiritual and psychic appeals and those purely materialistic, and many have assumed that Peronist populism was all bread and no circus bartered for political support. But this is much too narrow a view of human purpose. A great deal that was religious and quasi-religious went into the enfolded depths of Peronism, and Peron made almost exquisite use of the spiritual themes and ethical values that time long forgotten had contributed to the civilization." (pp. 233) This book by Dechancie seems in large part to make this assumption, that Peronism was all bread and and no circus bartered for political support. It does not attempt to understand the spiritual implications inherent in the "caudillo" (strong leader) tradition of which Peron was a part. Such an attitude toward leadership is unheard of in Anglo-Saxon based cultures, in fact, the United States model of government is largely found in opposition to the idea of a strong central leader. It is inevitable then that if one does not view someone like Juan Peron within the context of the Argentine culture, one will not understand him and will project things on to him. Minds shaped by the political landscape of the United States often cannot help but view a strong leader with a hint of suspicion. We rejected the Monarchical system at our country's founding, and strong leaders often look like a monarchy to us. In fact, Juan and Eva Peron indeed became something of a monarchy for their people.

And that is exactly what happens in this book: the author consistently calls Juan Peron a dictator. Most well-researched biographies, such as the one I list above, note that Peron was far from being a dictator. He was elected three times by overwhelming popular support, and even then he often had to bargain for support. All of his decisions were made with the backing of overwhelming popular support. It's just that the setting and the tone of his government was so alien to the North American model that it would often be misinterpreted. Adding to the confusion, World War II had just ended - Peron addressed his followers from the balcony. It didn't "look" good to the North American observer (adding to the confusion, the name "Eva Peron" sounds strikingly like the name "Eva Braun"). And though Peron had admitted to admiration for Mussolini, Peron noted that Mussolini had made great mistakes and Peron never erected a fascist government. Further, there was no official anti-semitism in Peronism and some noted there was less bigotry against Jewish people in Buenos Aires during Peron's era than there was in New York City of the same time-frame. The Jewish population in Buenos Aires was at that time, and remains, one of the largest in the world. Thankfully, this book makes note of the fact that there were no slaughterhouses in Peronism and that Peron was eager to renounce his position of power and go into exile in Spain rather than engulf his country in a bloody civil war. It was the military dictators who assumed power after Peron who would disappear tens of thousands of people in the Dirty War (For a beautiful and haunting movie about the Argentine Dirty War, see the movie available on Amazon called THE OFFICIAL STORY).

Peron is ambiguous to one not fully aware of his history. Without full awareness of Peronism's history, one is forced to make assumptions about him and place him in the mental categories at hand. "Dictator" seems about right for those not familiar with the system Peron worked in and represented, and that is the word this book often uses.

I would recommend this book to someone interested in the linear narration of Peron's life (when he was born, where he served as a general, when he became President, when he fled to Spain, when he returned, etc.), but I would caution against taking the interpretations of the author too literally. The thing that I find outstanding about this book is the incredible parade of pictures, though all black and white they are very high quality reproductions (finding high quality reproductions from the Peronist era can be difficult). To see what the cover of this book looks like, search for the VHS video "Juan & Evita Peron" available on the Amazon site (this video is on my list of "Eva Perón - Biographies and studies of Evita" [#18 on my list]). The cover artwork is the same on both products (though the cover text, obviously, is different).

I found the book very interesting. I would disagree with the reading level, however. It could be read by children in grades 2-4, but understood by somewhat younger children. The references to the various gods could be confusing to children who do not have any previous knowledge of them. The pictures are wonderful and the children I read the book to really enjoyed them. It is a great read-aloud book, and one I am going to use with students in grades 2-6 who are in resource reading classes.

Many a pocket calculator is larger than this booklet and with 88 pages it didn't take me much more than an hour to read.

Then again: it does put a lot of information in the little space available and virtually all of that is spot-on. Also the selection of topics is exactly that which is needed on a first reading.

At the moment where I write this (April 2002), some of the info out of the 2000 edition already seems to be referring to a totally different era. Menem no longer is president and neither is his succesor (or his sucessor for that matter). The times where foreignors were desparate to get into the market and Argentines could dictate terms today seem a distant memory too.

Don't let that put you off from buying this book. If you want to obtain a Ph.D. on Argentology, a small volume like this is insufficient. But if you have a (business) interest in Argentina and would like to get to know the essentials fast, this is the book to buy.

Since there is no synopsis of the book here, I will write one and then write my opinion.

It is 1973 and Peron is summoned back to Argentina after 18? years in exile in Madrid. He is now an old man and his movement has moved beyond his own strict ideology. His return is viewed through the eyes of no fewer than 20 people, who are in the process of making some sense out of Peron's life and his tendency towards Megalomania. These range from his wife, Isabella, his relatives, his president, ex-military companions, and some wierd extremist groups (which I DID NOT understand, sorry Tomas).

OK- now I transition into opinion. The truly unique thing about this book is that it centers around a one week period, but retells this same week from a multitude of standpoints, some even demented. Many times throughout the book I seriously considered flying to Iowa to hunt down the author and ask him "how much of this is true??" He puts himself in the book as a reporter, and it is plausible that he actually met Peron. I feel sure he has mountains of good info, and probably could write an engaging biography of this man (which then of course no one would read, so maybe this is his point).

While I did like this book, I was much more engaged by the writing itself and the odd twists or context and historical events that he describes than in the actual content. I forced myself to read it because I knew I'd like it, more than I was compelled to read it.

And if you're still reading this, go to Santa Evita and read that first, because it has all the advantages of this peculiarly odd book with a much more engaging topic. Then read this because this Tomas Eloy is a fantastic writer.

Peronism managed to control the Union movement in Argentina. Working from the national state, Perón moved to legalize long-sought rights of Argentine workers (like paid yearly vacations). He also took the time to crush or isolate any dissent with him within the Union movement. And guaranteed to the Union "bosses" some privileges (like having only one Union legalized for each kind of workers).

The book tells the story.

Singer (and his translator) manages with beautiful, easy-to-read prose, to evoke a lost world. His sketches of the the people and places in the Jewish quarter of Warsaw c 1906 are memorable and convincing. While I was reading the book I was conscious that the city was flattened in the 1940s and 6/7 of Polish Jews were murdered during the Nazi occupation - i.e. a stark dark line through history cut Max's world off from from today's Poland. Max recalls the assimilated, Spanish speaking Jewish community in Argentina and the ultra-conservative village in Western Poland where he grew up - and to which he is forever planning to return. He observes the pious Warsaw families in their detailed preparations for and observation of the Sabbath - but also the other Jews, the thieves, pimps, whores who live in the same street, and the middle class Jews in their large apartments a few blocks away. This multi-layered community speaks a different language from the millions of Poles that surround them and is loathed by many of the hosts. Singer makes occasional refererence to the pogroms, anti-Semitism, the Russian occupation, but it is not an overtly political novel. It concentrates on the the street life in the ghetto and specifically on the character of Max. Manic mad Max can't help getting into trouble. He lurches from one messy encounter to the next, creating new dangers for himself even before the previous one has been resolved. He has a wife in Argentina, yet promises himself to several Warsaw women in his first few days in the city. His treatment of women is appalling, yet by highlighting his protagonist's self-awareness, self-loathing, his profound grief over his lost son, his occasional moments of kindness, his guilt and conscience, Singer will endear his extraordinary creation to many readers. Max is deeply lonely and Singer explains much of his bizarre behaviour with reference to his desperate need to avoid being alone with his despair. This is my first Singer novel and I will definitely read others - he creates both a strong multi-dimensional central character and a powerful sense of place with stark, economical prose. A glossary of religious and cultural terms would have been helpful - and a few pages of recipes would have been a treat (although I'll skip the cabbage fried in lard!)